When fake feels real: 'Rohtko' brings one of art's big questions to Seoul

The Korea Times - Nov 11, 2026

A painting does not change when it is exposed as a fake. Its price and the way people see it do. That gap between an object and the value attached to it drives “Rohtko,” Polish director Lukasz Twarkowski’s multimedia theater production, which makes its Korean premiere Friday at LG Arts Center Seoul. Inspired by a multimillion-dollar forgery scandal, the production arrives here four years after its world premiere, with its questions about originals and copies taking on fresh urgency amid the increase of artificial intelligence (AI). Speaking at a press conference on Wednesday, Twarkowski explored multiple perspectives on authenticity, inviting audiences to draw their own conclusions. “I truly believe that we have this possibility in theater to communicate contradictions,” he said, describing art as a way to explore complexity without declaring one single interpretation to be true. Produced by Latvia’s Dailes Theatre, “Rohtko” premiered in March 2022. It won five Latvian theater awards that year, including production and directing honors, followed by Italy’s Ubu Award for

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